Previous Productions and Reviews

The University of California, Santa Barbara:

DIRECTOR: SHIRLEY JO FINNEY

SCENIC DESIGN: FREDERICA NASCIMENTO

COSTUME DESIGN: NAILA ALADDIN-SANDERS

LIGHTING DESIGN: JOSE LOPEZ

SOUND DESIGN: PETER BAYNE

Critique by Broadway World:

  • Enjoyed the play
  • Appreciated the space created, by the playwright, for the audience and storytellers to communicate demonstrated through aspects of community, ritual, and remembrance
  • Appreciated the set design
  • Questioned the significance/purpose of giving Oya her talent of running

Quotes:

  • “Talented young performers”
  •  “A set that presents the mysteries of the bayou with bright light, vivid color, and the mesmerizing use of shadow”
  • “Performances were lively, intense, and entertaining”

Howard University:

DIRECTOR: ERIC RUFFIN

SCENIC DESIGN: MICHAEL STEPOWANY

COSTUME DESIGN: KENDRA RAE

LIGHTING DESIGN: T.W. STARNES

COMPOSER AND MUSICAL DIRECTOR: BERT CROSS II

CHOREOGRAPHER: DWAYNE MURRAY

Critique by DC Theatre Arts:

  • Really enjoyed the play
  • Appreciated the language and storytelling implemented by the playwright
  • Believed the performers properly executed the story
  • Appreciated the set design

Quotes:

  • “Mesmerizing and lyrical production at Howard University”
  • “It is a place such as where gods of yore would visit in human form”
  • “The action happens about as much in the aisles as on stage”
  • “Within minutes the opening night audience was so into the show it could have raved on all night.”

Young Vic, London, UK:

DIRECTOR: WALTER MEIERJOHANN

SCENIC DESIGN: MIRIAM BUETHER

COMPOSER: ABRAM WILSON

Critique by The Guardian:

  • Found faults within the production
  • Did not appreciate the set design
  • Believed the set took away from the simplicity of the story, the vocalization of the actors, and the complexity within the language of the play
  • Appreciated the actors talent and performances

Quotes:

  • “Water is an unfriendly element, and I found much of McCraney’s language obscured by splashing feet”
  • “A play that might have had a strong emotional content here becomes an aquatic spectacle”
  • “The production yields a host of strange images, it dominates the text rather than serving it”
  • “I’d love to see McCraney’s magically simple play on dry land”